You’re
likely aware there are ghostwriters (I love the movie, The Ghost Writer, with Ewan McGregor), but are you aware there are
ghost rewriters who provide services as
well? Let’s look at what they can do for authors.
You
seldom see the term “ghost rewriter” used, if you’ve ever seen it at all. If
you search that term online, you’ll see tons of site listings for ghostwriters
and then maybe some sprinkled in for rewriters. Ghostwriting is the more
familiar service, which is an involved method of getting a book written that’s
based on a concept, notes, and or interviews with and for the person who wishes
to put their name on the book cover, even though they don’t write the book
(there are far more books written by ghostwriters, including best-sellers, than
you may be aware of). So, what is a ghost rewriter? Maybe it’s self-explanatory.
If not, you’ll know more in a minute, as well as why an author might want a
rewriter on his or her team.
There are new, budding, and prolific authors who are
do-it-yourselfers. They appreciate input from an editor because they sincerely
want to put the best book out there that they can write, but they want to do
all the writing and revising. There are other new, budding, or prolific authors
who want to write a rough draft of their fiction or non-fiction manuscript then
turn it over to someone else to rewrite and revise it, including writing
additional content, if needed, until it’s ready for readers. If you’re in the
first group, you may wonder why any author would do what those in the second
group do.
One reason may be that the author never focused on
the technical and or creative mechanics of writing, and has no intention to.
Ever. These writers rely on their editor/ghost rewriter to bring what they
write to finished form. There are other authors, new or not, who don’t have the
time, or inclination, to do more than a rough draft, so rely on an editor/ghost
rewriter to bring their manuscript to the finished-product level. Yes, your
book—your baby—is, after all is said and done, a product you promote and sell.
Ghost rewriting can be an involved process (though
not as involved as ghostwriting usually is) because now the editor/rewriter is
creating what is essentially a new first draft that will need to go through the
revision process just as an author doing all the writing would be required to
do. The author is the one credited for the work; though, mention of the editor
usually appears on the copyright page, in acknowledgments, or both. Credit for
services rendered is up to the author. But the fact that someone ghost rewrote
(or ghostwrote) the book isn’t mentioned, at least, not usually.
If you think this is a form of cheating, please
consider that a number of best-selling authors do a version of this: They engage
a co-author to write their book(s). A good example is James Patterson. At some
point in his career, he shifted gears from being a solo writer, and his fans
(I’m one of them) don’t mind at all. They want to be entertained
Patterson-style, and he fulfills this for them. He fleshes out an outline for a
novel, working on it until he’s satisfied, and then he sends it to one of his
co-authors to write the novel (that’s what the other names on his book covers are
about, in case you weren’t certain). This happens with Patterson’s input and
approval about what’s written, of course. What a terrific opportunity and win-win-win-win
for him, the co-author, the publisher, and readers.
What you, as an author, need to decide is what works
best for you; what helps you accomplish your desired outcome. Sometimes the
best assistance for you is to have your manuscript evaluated or to use
substantive editing services so you know how to improve your book. Just make
sure the person doing this is going to provide you with enough guidance you’ll
use to revise your manuscript so it becomes the engaging book for readers you
intend. And if you need or want more assistance than that for the reasons
listed above, or for some other reason, consider a ghost rewriter who’ll take your
manuscript where it needs to go but not require his or her name on your book
cover.
There’s an advantage to working with an editor/ghost
rewriter: You can choose to start out with a completed rough draft or submit
one or more chapters at a time, until the draft is completed (a number of my
clients prefer to work this way); just be consistent about writing so that you
never allow the momentum to flag. Yet another advantage to working with an
editor/ghost rewriter, if you’re committed to improving your skills, is that you
see what the person did with your manuscript and learn from it.
Ghost rewriters are skilled writers but may not wish
to travel the publishing path themselves. They love writing and are avid
readers. They love assisting authors, especially indie authors, to put their
best foot forward for their particular audience. This is another win-win-win
experience. As a new, budding, or—if you’ll pardon me—somewhat lazy author when
it comes to the technical and creative mechanics of writing, finding the
rewriter right for you can be the difference between not going far (or
anywhere) with your book and going the distance (and getting great reviews).
No matter which group from above you fit into, the
fact is this: No writer ever
completes a book entirely alone. At least, writers shouldn’t, if they want to
put the best book they can into publication. There should be one or more
qualified beta readers involved to give quality feedback. At some point an
editor needs to be involved, without exception. Line-editing may be needed. Eventually,
the services of a proofreader are required. Best-selling authors have teams who
assist them, whether they go the indie or traditional publishing route. And if
you’re Patterson and want to publish ten books a year to keep your readers and
publisher deliriously happy, you engage the services of co-authors. If you’re
not 100 percent confident about your skills or don’t have or want to take the
time to go the distance, you put a ghost rewriter on your team. A team makes a
dream come alive.
I wish
you the best with your writing and progress, always and in all ways.
Joyce L.
Shafer provides services for writers, with a focus on assisting new and indie
authors. Services include Manuscript Evaluation, Substantive Editing, and
Silent (Ghost) Rewriting/Editing, which includes converting plays and
screenplays into novels. Her clients say she’s part editor, part teacher, part
coach. Details available at http://editmybookandmore.weebly.com/.
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